Origins of Imperial San Francisco

The idea for Imperial San Francisco came to me in 1985 in Venice as I watched that city interact with sea, sky, and wind. Unlike those of most cities, the vital arteries of Venice are open and can be seen by all, along with the damage caused by long neglect and environmental blunders. Yet at the peak of its glory, the ‘Queen of the Adriatic’ exerted its own far­ reaching effect on the eastern Mediterranean. Its leaders, magnates, and architects built it at the expense of other lands and islands. In that re­spect, Venice is typical of all imperial cities, though its builders did far more with what they took from elsewhere to create one of humanity's loveliest and most ingenious works of art. The book is an attempt to answer the question I posed to myself then: Was it worth it?

Imperial San Francisco is a great gift of a book, the product of extraordinary research, insight, and hard work…
— Gary Snyder

For a detailed account of the background to Imperial San Francisco and, in particular, the revelations about the connection between the development of atomic weapons and the University of California outlined in the final chapter, please refer to this unpublished article from 1999.

About the audiobook

The audiobook of Imperial San Francisco was narrated by Gray Brechin and produced by Mary O’Hara.

Mary O'Hara is a multi-award-winning journalist and producer. She is the author of two acclaimed books and founder of the anti-poverty storytelling initiative, Project Twist-It.

About the website

This website was designed and edited by Alexis Harvey using Squarespace. Alexis is a freelance writer, editor and researcher based in the UK.

One of the very best books I have ever read about a place
— Jan Morris